Month: October 2017

A Writer’s Guide to Firearms: Introduction

Nicholas C. Rossis

A few weeks ago, I was talking to my author friend, William R. Bartlett, and we discussed the possibility of a guest post where he’d share his vast knowledge of firearms.Bill readily agreed and surprised me with a multi-part magnus opus that covers pretty much everything on the subject. This post contains part of his introduction to firearms. The next parts will be posted on a regular basis, as Bill prepares them. Enjoy and bookmark! 

A Writer’s Guide to Firearms by William R. Bartlett

Part 1: Introduction

Glock firearm | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's book A Glock. Image: Wikipedia

When Nicholas first offered me an opportunity to send a guest blog regarding firearms, I didn’t hesitate. Sure! Be happy to. Then, I sat down and began to go over things. Firearms have been around in one form or another since the Middle Ages, nigh on to a thousand years, and reams have been written on the topic…

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Some More Archaic Insults

Nicholas C. Rossis

Friends, Meddler | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksSeeing how much you all enjoy archaic insults, here are some more, courtesy of

  • Gobermouch: an old Irish term for someone who meddles in other people’s business. That classic Friends scene would be quite something with goubermouch instead of meddler, wouldn’t it?
  • Gnashnab: Someone who complains all the time; a nitpicker.
  • Stamcrab: Someone who’s clumsy and heavy of foot. Also, a great band name.
  • Whiffle-whaffle: Someone who wastes a lot of your time.
  • Zooterkins: A 17th-century variant of ‘zounds.’ An expression of surprise or indignation. Not so much an insult as much as what you’d yell back after someone insults you:
    17th-century Person A: “You’re such a stamcrab!”
    17th-century Person B (gasping incredulously): “Zooterkins, Sir! Zooterskins!”
  • Sounderkite: The Victorians even made insults sound fun. In this case, calling you an idiot.
  • Bedswerver: No, not someone who swerves and cuts you…

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Digitizing A 6-Feet-Tall Atlas

Nicholas C. Rossis

Are you looking for an impressive image to add to your blog? All you have to do is Google for it and it appears, as if by magic, on your screen—even if it’s an image taken from a centuries-old book. Spare a thought, however, for the poor people who have been tasked with putting it online in the first place.

Digitizing old books in their collections is a routine part of the work undertaken by archives and libraries. This both preserves the books and makes their content more accessible to the public. But what happens when you need to scan one that’s nearly six feet tall?

The Klencke Atlas | Azure Fire Publishing: encouraging youth-friendly Fantasy & Sci-Fi literacy through writing challenges The Klencke Atlas. Photo: THE BRITISH LIBRARY/PUBLIC DOMAIN.

The Klencke Atlas

At five feet, ten inches tall, and seven feet, seven inches wide when open, the Klencke Atlas is a massive collection of 41 maps. It was made as a gift to King Charles II by

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The Trusty Steed

The Trusty Steed

Richie Billing

Looking for more writing tips? This Craft We Call Writing: Volume One has over 150 pages of them, covering everything from dialogue, characterisation, prose and plotting, to world-building, writing fight scenes and viewpoint. And you can get it for free by filling out the form below!

There’s always a horse in a fantasy book. So I decided to do a bit of research on the trusty steeds that carry us fearlessly into battle, and this is what I found.


Make no assumptions

For some of us it’s fair to say we don’t see horses very often, driving past one standing in a field at 50mph on the odd occasion. We probably see horses more on TV than we do in reality. The main complaint I came across from readers when it came to horses is the author’s lack of understanding of them. So to fill the void of lack…

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Research, Experience, or Imagination to Create Fiction



I was wondering, this week, how different authors base their stories on aspects of their lives. Some authors have been known to find inspiration from their personal experiences. Melville and Hemingway wrote stories with some ties to things they had actually done. Other authors carry out extensive research to build the world they present for the reader. Margaret Mitchell with her Gone With the Wind stands as an example of that approach. Finally, many fiction authors create their stories out of whole cloth, from their imaginations. And, of course, all three approaches may be combined. Tolkien, developed the Hobbit, with the use a vivid imagination. But, Tolkien brought an extensive knowledge of mythology, and a fascination with languages to his creation.

I asked author friends about their approaches. Three authors gave me their responses. Stephanie Barr says, “When it comes to inspiration, I usually lead with my imagination. Something will spark it – a name, an image, a situation. My experience might shape it as it I’ll think of how to tackle it using things I’ve already experienced, science or personality-wise, but I’ll be looking for new angles or new ways of seeing it. Research is almost always done AFTER I have an idea of what I want to accomplish and I need to figure out how to get there in a believable way. But, almost always, it’s the most mundane conversation or simple concept that gets me started.”

Jason Nugent says, “When I generate ideas for stories, it’s usually from some sudden burst of inspiration. I find that funny because I went to school for history and hold two degrees in the subject, yet research is not my main source of idea generation.”

Stories will come to me at the strangest of times too. I have a short horror story appearing in the inaugural issue of Gallows Hill Magazine this month (October 2017) that came to me while sitting in church one Sunday morning. I’m sure my pastor wouldn’t want to know my mind was not on the sermon, but on what would happen if a hole to hell opened up in the middle of the stage and no one could close it. That’s the premise behind my story From the Depths, Risen. Often when I come up with an idea, I will do some research to strengthen the idea. Or, through research I might discover the idea isn’t strong enough and then I’ll tinker with it until it is. Ideas come and go, but if I let them simmer long enough, I can work out the details before I ever write a word.”

Here are comments from Jennefer Rogers, “Jenn’s recipe for ‘Story Inspiration’: Add any amount of ‘Research’, ‘Experience’, and ‘Imagination’ together, store in the murky depths of one’s subconscious for an undetermined period, shake gently or stir (depending on taste), and allow to ferment. Don’t be afraid to add fresh elements – if they don’t fit, they will be strained out. Lift the lid once in a while – poke it with your pen, or stylus. Offer up appropriate bonbons to your Muse and hey-presto, you have a place to start. As you can see, I fall into the category of using all three.”

1. Research: I read voraciously and file away articles that back up my conjecture, correct me, or spark a new direction for me to take. I have a Pinterest account that’s bursting at the seams with useful tidbits. All of the science in my work is based on current tech discoveries or concepts that are extrapolated from those. I took a couple of creative liberties in The Korpes Files, but that’s okay it is science fiction.”

2. Experience: I frequently borrow from life experience to describe elements in my writing where I want to convey a particular emotional atmosphere or realistic character response. While I’ve never been incarcerated or placed in a mental ward, I do understand what dealing with mental illness is like. As a single parent, I have applied some of those experiences to the story. Not to neglect physical atmosphere, when I was younger, I did a bit of Urban Exploring; all of those impressions are stored away as photos and memories and have cropped up in my work.”

3. Imagination: I’m an artist. My Muses are constantly whispering in my ear and what they suggest can range from sci-fi through fantasy, and into metaphysical areas. I even have one nagging at me to write an autobiography. They are the direct conduit to my subconscious and once engaged, they are impossible to ignore.”

I suspect most fiction writers combine the different strands in producing their work. We receive inspiration from an event in our lives, expand the story with our imagination, then perhaps fill in details with research. When working on stories in my Protected Books series I use all three approaches, with a heavy emphasize on research. Which approach do your favorite writers use?

Author Links:

J. I. Rogers: and

Jason Nugent: and

S. A. Gibson: and

Stephanie Barr: and


Choose Your Own Adventure

Nicholas C. Rossis

Journey under the sea | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books View on Amazon

In my search for reading material for the wee one, I came across a post by Sarah Laskow of Atlas Obscura on “Choose Your Own Adventure” books. These can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward.

The early books in the series, which began in 1979, have dozens of endings, reached through branching storylines so complex that that trying to keep track of your path can seem hopeless—no matter how many fingers you stick into the book in order to find your way back to the key, fateful choice. You might end up back at an early fork again, surprised at how far you…

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Two unmissable FREE romances set in Greece

Nicholas C. Rossis

Effrosyni Moschoudi-Freebies | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksGreek award-winning author, Effrosyni Moschoudi, is one of my closest author friends–and, it turns out, a distant cousin. She is now offering two of her books for FREE right now. Both are perfect choices for lovers of romance and all things Greek! What makes this offer particularly special to me, though, is that one of my own stories is included in Facets of Love–a brand new short story collection you won’t find published anywhere. It is an exclusive book for Effrosyni’s mailing list readers. Join the list by leaving your email on her website and receive the book in a few minutes. The author sends out emails very sparsely and your privacy is guaranteed!

Claim your FREE copy now!

Her second FREE book is The Ebb, an award-winning novel set in Corfu. It is $0.99 on Amazon but can be downloaded for FREE in other e-stores as well as a PDF file from…

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Don’t Read My Book


Reworking this article again. Several authors have used reverse psychology in humorous approaches to marketing their books.


Stephanie Barr made a meme for Tarot Queen, that highlights aspects of the book that some people might possibly find irritating. And “…not a single flying car.”

Reverse psychology involves advocating ideas or behaviors that are in opposition to one’s desired goals according to Wikipedia. Above is a reverse mention of my book, Pratima’s Forbidden Book. This approach reverses what everyone even remotely associated with business thinks of as standard marketing. It’s usually about creating a favorable perception for your product.

Some authors have taken the humorous approach of producing meme posters about why you, a potential reader, should not pick up and read their books. The reasons can include potential shortcomings in their books, or critiques of reading generally, or the particular genre, or perhaps larger criticisms of the world in general.  Usually, the desired outcome derives from the hope of the author that you will be so intrigued that you will rush out and buy the book.


In K. M. Herkes’ example above for her book, Controlled Descent, we see negatives and tongue in cheek comments.

The hoped for psychological outcome seems similar to me to that in Goodreads reviews where controversy around a book results in more sales. When readers have contentious disagreements about the content, style, or meaning of a book, new readers can become curious to try for themselves. They want to see what side of the controversy they will land after giving the book a try.

dontread_470511166462959_1441979994374461108_oM. A. Ray, in the example above, disses aspects of her book, Hard Luck.

Reverse psychology is a time honored mind control approach. We use it with our friends, enemies, and family members to gain compliance. We hope that if we seem to offer a position that is opposite of our true position we will find common ground with the other person, or get those others to lower their barriers and let in our message.

One approach to marketing is to offer benefit for the customer. Writers who employ reverse psychology memes are hoping to secretly show how their book will offer value to the reader. The self-criticism of the book may be intended to be false, or may be intended to warn the reader what to be careful of.


For Crimson Fire, Mirren Hogan lists possible off-putting facts about her book. Sometimes the very features we highlight as being of concern to the reader might be selling points.


For The Korpes File, J.I. Rogers explains why some readers might not want to read her book. There is some method to this madness, in the overt downplaying of one’s own brand or poking fun in the advertisements. One goal is differentiation, to separating one’s books from others in the maketplace.

Don’t be afraid of reading a book, just because the author tells you scary things. Likely an author puts the energy into critiquing their book because they hold their own works in high regard. Give them a try. Judge for yourself whether there is validity in the reverse-hype!

Author links:

J. I. Rogers: and

K. M. Herkes: and

M. A. Ray: and

Mirren Hogan at: and

S. A. Gibson: and

Stephanie Barr: and


The Soldiers’ Pocket Books That Legitimized Paperbacks

Nicholas C. Rossis

Even though pamphlets and softcover books have been available in Europe since the 16th century, US readers looked down on them until well into the 20th century. As a recent Atlas Obscura post by Cara Giaimo explains, without a mass-market distribution model in place, it was difficult to make money selling inexpensive books.

Although certain brands succeeded by partnering with department stores, individual booksellers preferred to stock their shops with sturdier, better-looking hardbacks, for which they could charge higher prices. Even those who were trying to change the public’s mind bought into this prejudice: one paperback series, Modern Age Books, disguised its offerings as hardcovers, adding dust jackets and protective cardboard sleeves. They, too, couldn’t hack it in the market, and the company folded in the 1940s.

Wartime Reading

Armed Services Editions | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books Soldiers in Virginia wrangle with hardcover books donated through the VBC. Image via Atlas Obscura.

Then, war came. In September of…

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